127 Hours

With an amazing, and again, without any bias, background score by AR Rahman, titling camerawork by Anthony Dod Mantle, and crisp editing by Jon Harris, this movie is a whole package. Boy, are the Brits at it again. The mind-blowing use of a Handycam and regular standard cameras is a treat by itself. And along with that, throw in JAMES FRANCO, you got a winner!