Sandesh, one of Bengal’s most iconic sweets, transformed as sweet makers experimented with different sweetening agents, such as palm jaggery, sugarcane jaggery, and refined sugar. They crafted sandesh in a variety of moulds, infusing it with colours and flavours drawn from local fruits and flowers. The essences of orange, jackfruit, and rose were particularly popular, adding a fragrant and flavorful dimension to these delicacies.
Hirayama’s life is akin to a long meditation—you develop patience as you observe and interpret his actions. Solitude here means that Hirayama doesn’t align his actions with anyone else’s expectations. He takes responsibility for his actions. He is never portrayed as lonely—he isn’t isolated but always in his own company.
The concept of beauty is continuously evolving — from Plato to Aristotle to Kant, everyone has interpreted beauty in their unique ways, emphasizing different aspects like geometry, proportion, or the reflection of the inner self. So, the idea of beauty becomes a cultural conversation, which in today’s world is mostly influenced by the norms of…
The end scene that portrays Christ-like suffering for Doug surrounded by the dogs is a reminder of all the suffering that a man goes through to truly be transformed or resurrected as something else – the journey of a broken self to mend the mind and body by creating ruses that fit the maze called ‘world’.
John Keating: (Dead Poet’s Society, 1989): John was the kind of teacher that every student needs – and the earliest the better. His personality is an unusual mix of caring and rebellious. Regarding this quote by Henry David Thoreau: “I wanted to live deep and suck out all the marrow of life.” John’s fundamental teachings come to the forefront – to live to the fullest and follow one’s passion.