Pushpak (1987) is a rare gem in Indian cinema — a silent, satirical black comedy that speaks louder than words. Starring Kamal Haasan and Amala Akkineni, the film uses visuals, metaphors, and masterful performances to explore class, identity, love, and illusion. This blog dives deep into the film’s layered symbolism, feminist undertones, and artistic legacy.
“To me the verses of the Upanishads and the teachings of Buddha have ever been things of the spirit, and therefore endowed with boundless vital growth, and I have used them, both in my own life and in my preaching, as being distinct with individual meaning for me, as for others, and waiting for their confirmation, my own special testimony, which must have its value because of its individuality.”
Hirayama’s life is akin to a long meditation—you develop patience as you observe and interpret his actions. Solitude here means that Hirayama doesn’t align his actions with anyone else’s expectations. He takes responsibility for his actions. He is never portrayed as lonely—he isn’t isolated but always in his own company.
In the film “The Banshees of Inisherin” where two friends standing at two different spots but equidistant from a specific center are re-evaluating the essence of ‘friendship’ via the lens of their individualities that are shaped by external factors. In the lovely cinematic universe of Inisherin (a remote island off the coast of Ireland), Padraic, played by Collin Ferrel and Colm played Brendan Gleeson, are friends on this secluded island against the backdrop of the Irish civil war. We know that war changes life and traps people in the vicious circle of mortality; however, being many miles away from the center of war, the island is not particularly affected, at least not with the visuals of torn human bodies and sabotaged property. But one fine day, Colm decides to take charge of his life and wants to leave a legacy for generations to remember him. Padraic on the other hand lives his life from one moment to the other and believes in the power of kindness.
by Anushree Ghosh “Zindaagi Kii Raahon Mei Ek Bheed Chalti Hain Sochiye To Lagta Hain Bheed Mei Hein Sab Tanha” […]
