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Kalamkari – Reviving the Ancient Art of Storytelling

Posted on May 23, 2019June 7, 2019 by artpickles
by Deepika Dewan

Safer, predictable, little adventurous in terms of cuts and (a)symmetries. Such is the fashion code most of us follow these days. Have we ever tried and attempted wearing a piece of mysticism and history – something that goes back to an ancient civilisation, and yet stands out for the beautiful visual delight no modern fabric can dare come close.  

It’s Kalamkari – Kalam (pen), Kari (craftsmanship). A mystical craft that was found in the fabric samples at the archaeological sites of Mohenjodaro – that’s more than 3000 B.C.

In the course of time, folk singers and painters who used to wander from one village to other narrating stories of Hindu mythology to the villagers took to canvas painting to tell the tales effectively. The initial traces of Kalamkari art continued before the Mughal era, when it came to be appreciated by the royals for its true originality and richness.            

The magic of this ancient art of Kalamkari involves 23 tedious steps – yeah, painstaking could be a better word for this ancient style of hand painting done on cotton or silk fabric, which involves natural dyes and a tamarind pen, in making a wide range of motifs, from flowers, peacock, paisleys to divine characters of Hindu mythology like the Ramayana and Mahabharata. The magnificence of Kalamkari is such that one can witness the entire galaxy of shooting stars or an entire species of human creatures on the fabric.

So, what are we doing to preserve this colossal heritage and a reminder of ancient folklore? Nothing, but something needs to be done to make it timeless and global.

Does it need a massive media spend to the size of an IPL match, or would something small scale be enough?   

What the extravagant art of Kalamkari needs is a bit of your love, appreciation and inclusion in the choicest and vintage fabrics of the world. And how can we get that? Maybe the following initiatives can help us make Kalamkari a promising art form.  

  • Get reputed fashion institutes such as NIFT, Pearl Academy, and top fashion schools around the world such as The Fashion Institute of Technology, New York; London College of Fashion etc to conduct a month-long study tour of Kalamkari for its students at Pedana, Machilipatnam, and Srikalahasti districts in Andhra Pradesh. Better still, make Kalamkari a part of the semester project for students studying in India. For first-timers, Srikalahasti in Andhra Pradesh is the place of origin of Kalamkari around 2000 years ago.   
  • Invite reputed fashion designers and curators such as Gaurang Shah, Anjali Ela Menon, Abu Jani and Sandeep Khosla, Rimple and Harpreet Narula to hold curtain raisers-cum-fashion shows on “Kalamkari: The Fabric of Colour and Art” in metro cities and international fashion capitals.
  • Include Kalamkari in the school textbooks as a part of “knowing art and heritage” series.
  • Hold school workshops on Kalamkari from time to time during summer and winter breaks.         
  • Talk to legendary filmmakers such as Shekhar Kapur or Sanjay Leela Bhansali to do a film on “Kalamkari: The Pen of History and Hope”.   

Kalamkari as an art form has a long way to go. It just needs to be given a wider horizon and welcoming. Drop in a line and tell us what you can do at your end to revive this precious kala.

ABOUT THE AUTHOR

A skilled writer, an advertising professional for over 17 years, an active blogger on fashion, ramp, beauty and health; ex-visiting faculty on advertising and communications and a creative consultant, there is never an end to putting words that click. Coffee, crafts, books, soundtracks and simplicity keep me high.

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  • BLOG
    • Books
      • Saints Or Sinners – Ruskin Bond Treats Every Character Equally
      • Ever Raised Any Eyebrows, as You liked Reading While Walking? Milkman by Anna Burns
      • Samaresh Basu
      • Ayn Rand & Me
      • United We Revolt
      • Swapan Kumar and his Sleuth — The Cornerstone of Bangla Pulp Fiction
      • Subhas Mukhopadhyay: Portrait of a People’s Poet
      • A Legend Passes Away. A Legacy Remains. Forever.
      • Manto – Man With Unprocessed Raw Words
    • Art
      • Evolution of the Indian Art – Is it going to reach every corner soon?
      • Woodstock
      • I got the Blues
      • The World Learns to Rock – Part I
      • The World Learns to Rock – Part II
      • The World Learns to Rock – Part III
      • Kalamkari – Reviving the Ancient Art of Storytelling
      • Madhubani – A Celebration of Mithila Art
      • Women & Art
      • Hiran Mitra’s Japan Diary
      • LGBT & Art
    • movies
      • Dogman – An Exciting Thriller for Dog Lovers
      • The Adorable Teachers and Professors in Movies
      • Evolution of The Indian Film Industry : From Black & White to OTT
      • Evolution of Bengali Cinema— the Cultural Nuances, Portrayal of the Society and the Transformation in Popular Culture – Part 1
      • When the Characters on Screen Can Hear It Too — Diegetic Sounds in Indian Cinema
      • An Abstract Hunt for the Meaning of life – The Top Layer Philosophy of “The Banshees of Inisherin”
      • Cut, Chop, Cook, Clean, Repeat – The Great Indian Kitchen
      • Arvind Desai Ki Ajeeb Dastaan
      • Rituparno Ghosh: Actor and Rebel
      • The Making of Tamas
      • Ritwik Ghatak’s Partition Trilogy
      • 127 Hours
      • Naseem
      • Suraj Ka Satvan Ghoda
      • Qissa
      • Arvind Desai Ki Ajeeb Dastaan
      • Perfect Days – Finding Joy In Every Moment – Philosophy
      • Movies That Came Ahead of Their Time
    • Culture
      • Queer Languages – The Secret Code for Survival
      • The Revolutionary Dancers – Bringing Changes with Movements in Space
      • Skydiving In the Land of Multicolor Ashes – Banaras
      • Omar Khayyam’s Potions of Wisdom for Writers, Poets, and Rebels
    • Thoughts
      • Where are the Happy Coincidences of Hrishikesh Mukherjee & PG Wodehouse?
      • The Story of Love
      • Rationality of being Agnostic
      • Marilyn Monroe – Max Factor
      • You often penetrate my Mind
      • Poets of Passion – Rumi & Tagore
      • Once Upon a Time…in Advertising
      • Love Letter To Gulzar Saab
      • Books, Movies and Some Random Philosophy
      • Love and ‘Other Factor’
      • If you can’t fix it, you gotta stand it!
      • ‘Re-framing Stigma’ ⁠— LGBTQ and HIV
      • Unpacking the Transgenders (Protection of Rights) Bill, 2019
    • History
      • A Brief History of Bengal’s Sweat Meat & The Portuguese Influence
      • The Zenana System : History, Education & the Cosmopolitan Set-up
      • Kanpur as the centre of Revolutionary Activities
      • Shekhawati — Havelis Reiterating The Tales of Glorious Days
      • Mata Hari – The Weeping Mother Who Turned Into A Dancer & Spy.
      • Partition Literature — Was The Partition of India a matter of ego satisfaction?
      • Did the Muslims of India opt for the Partition of India?
      • The Partitions of Bengal I
      • Partitions of Bengal (II)
      • Qissa
      • The Woman Who Loved – Orchha, Madhya Pradesh
    • philosophy
      • Rabindranath Tagore and Buddhism: The Philosophy of Peace & Compassion
      • Loneliness & solitude – The Pain & Paradox
      • The Bell Jar by Sylvia Plath – Virtual Tour Inside A Depressed Mind
      • Fakir Lalon Shah – Voice of the Poor
      • Nietzschean Bad Conscience in Koreeda’s Shoplifters
      • Sigmund Freud and Psychoanalysis
  • INCEPTION
  • CONTACT
  • Beauty